69 bars of 4/4 at a walking 85 BPM, 3:15 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13, 15 and 17, and 13 more places -- 27.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 5 times: bars 8, 47, 51, 55 and 59.
69 bars across 12 sections: 50 keep time, 5 are fills and 11 are silent. The longest unbroken stretch of time is bars 13-20.
85 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
69 bars, about 3:15 at the written tempo. The course breaks it into 21 exercises over 7 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 5 times: bars 8, 47, 51, 55 and 59.