182 bars of 4/4 at 142 BPM, about 5:07 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 35, 50-52 and 54-56, and 11 more places -- 27% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14 fills to learn, played 49 times: bars 9, 17, 18, 19, 20, 21 and 43 more.
10 more fills are written out on the fills page.
182 bars across 7 sections: 74 keep time, 51 are fills, 20 are stops and 34 are silent. The longest unbroken stretch of time is bars 30-35.
142 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
182 bars, about 5:07 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 49 times: bars 9, 17, 18, 19, 20, 21 and 43 more.