156 bars of 3/4 -- not four -- at 90 BPM, 5:12 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 36-39, 44-46 and 84-87, and 6 more places -- 21.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 23 times: bars 18, 27, 32, 33, 34, 43 and 17 more.
5 more fills are written out on the fills page.
156 bars across 26 sections: 81 keep time, 24 are fills, 8 are stops and 19 are silent. The longest unbroken stretch of time is bars 11-17.
90 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 64 out of 100; the rest of the number is everything around it.
156 bars, about 5:12 at the written tempo. The course breaks it into 45 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 23 times: bars 18, 27, 32, 33, 34, 43 and 17 more.