325 bars of 4/4 at 152 BPM, about 8:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 125-127, 133-135 and 137-139, and 15 more places -- 17.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22 fills to learn, played 68 times: bars 8, 16, 20, 24, 26, 28 and 62 more.
18 more fills are written out on the fills page.
325 bars across 20 sections: 170 keep time, 68 are fills, 39 are stops and 32 are silent. The longest unbroken stretch of time is bars 69-76.
152 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
325 bars, about 8:33 at the written tempo. The course breaks it into 78 exercises over 20 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 68 times: bars 8, 16, 20, 24, 26, 28 and 62 more.