104 bars of 4/4 at 110 BPM, about 3:47 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 21-23, 27-29 and 31-33, and 4 more places -- 20.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 24 times: bars 2, 4, 8, 12, 14, 16 and 18 more.
4 more fills are written out on the fills page.
104 bars across 12 sections: 65 keep time, 24 are fills and 2 are stops. The longest unbroken stretch of time is bars 17-23.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 72 out of 100; the rest of the number is everything around it.
104 bars, about 3:47 at the written tempo. The course breaks it into 34 exercises over 11 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 24 times: bars 2, 4, 8, 12, 14, 16 and 18 more.