125 bars of 4/4 at a walking 100 BPM, 5:00 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-24, 37-44 and 57-64 -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 7 times: bars 7, 8, 76, 89, 90, 98 and 1 more.
1 more fill is written out on the fills page.
125 bars across 14 sections: 94 keep time, 7 are fills, 5 are stops and 1 is silent. The longest unbroken stretch of time is bars 102-124.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 9 out of 100; the rest of the number is everything around it.
125 bars, about 5:00 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 7, 8, 76, 89, 90, 98 and 1 more.