260 bars of 4/4 at 136 BPM, about 7:39 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-45, 96-98 and 120-139, and 2 more places -- 30.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 16 times: bars 46, 78, 175, 178, 179, 195 and 10 more.
5 more fills are written out on the fills page.
260 bars across 16 sections: 199 keep time, 16 are fills, 7 are stops and 22 are silent. The longest unbroken stretch of time is bars 2-45.
136 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 4 out of 100; the rest of the number is everything around it.
260 bars, about 7:39 at the written tempo. The course breaks it into 61 exercises over 22 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 16 times: bars 46, 78, 175, 178, 179, 195 and 10 more.