130 bars of 3/4 -- not four -- at 130 BPM, 3:29 of playing on ride, hi-hat, snare, mid tom and kick.
The beat the song is built on is one bar, played through bars 3-5, 7-9 and 11-13, and 9 more places -- 25.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
130 bars across 13 sections: 116 keep time, 1 is a fill and 5 are silent. The longest unbroken stretch of time is bars 41-79.
130 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
130 bars, about 3:29 at the written tempo. The course breaks it into 26 exercises over 9 sittings, about 24 minutes each.
ride, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.