121 bars of 6/4 -- not four -- at 139 BPM, 4:34 of playing on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 54-65 -- 12.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 10 times: bars 4, 6, 8, 10, 16, 18 and 4 more.
121 bars across 12 sections: 73 keep time, 10 are fills and 27 are silent. The longest unbroken stretch of time is bars 67-81.
139 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
121 bars, about 4:34 at the written tempo. The course breaks it into 38 exercises over 13 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 10 times: bars 4, 6, 8, 10, 16, 18 and 4 more.