73 bars of 4/4 at a walking 87 BPM, 3:26 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 11-13, 15-16 and 36-37, and 1 more place -- 16.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 3 times: bars 18, 35 and 43.
73 bars across 10 sections: 48 keep time, 3 are fills, 2 are stops and 11 are silent. The longest unbroken stretch of time is bars 26-34.
87 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
73 bars, about 3:26 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 3 times: bars 18, 35 and 43.