217 bars of 4/4 at a walking 108 BPM, 7:54 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 39-48, 87-96 and 148-157, and 1 more place -- 18.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 48 times: bars 10, 11, 12, 17, 18, 19 and 42 more.
5 more fills are written out on the fills page.
217 bars across 24 sections: 127 keep time, 48 are fills, 10 are stops and 3 are silent. The longest unbroken stretch of time is bars 38-48.
108 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
217 bars, about 7:54 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 48 times: bars 10, 11, 12, 17, 18, 19 and 42 more.