121 bars of 4/4 at 150 BPM, about 3:13 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25, 33 and 37-39, and 4 more places -- 23.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 18 times: bars 8, 16, 24, 32, 40, 48 and 12 more.
8 more fills are written out on the fills page.
121 bars across 11 sections: 84 keep time, 18 are fills, 4 are stops and 4 are silent. The longest unbroken stretch of time is bars 58-71.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
121 bars, about 3:13 at the written tempo. The course breaks it into 43 exercises over 12 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 18 times: bars 8, 16, 24, 32, 40, 48 and 12 more.