134 bars of 4/4 at 110 BPM, about 4:52 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 49-55, 57-63 and 73-79, and 1 more place -- 23.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 11 times: bars 56, 80, 89, 90, 94, 96 and 5 more.
3 more fills are written out on the fills page.
134 bars across 8 sections: 75 keep time, 11 are fills, 27 are stops and 16 are silent. The longest unbroken stretch of time is bars 9-32.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 52 out of 100; the rest of the number is everything around it.
134 bars, about 4:52 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 56, 80, 89, 90, 94, 96 and 5 more.