80 bars of 4/4 at a walking 95 BPM, 3:17 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 13-19 and 40-46 -- 17.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 44 times: bars 2, 4, 5, 12, 20, 21 and 38 more.
6 more fills are written out on the fills page.
80 bars across 6 sections: 27 keep time, 44 are fills, 3 are stops and 1 is silent. The longest unbroken stretch of time is bars 6-11.
95 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
100 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 93 out of 100; the rest of the number is everything around it.
80 bars, about 3:17 at the written tempo. The course breaks it into 25 exercises over 10 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 44 times: bars 2, 4, 5, 12, 20, 21 and 38 more.