133 bars, 8:53, at 60 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 93-99, 101-107 and 109-115, and 2 more places -- 26.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 25 times: bars 20, 28, 36, 37, 38, 39 and 19 more.
1 more fill is written out on the fills page.
133 bars across 7 sections: 96 keep time, 25 are fills, 5 are stops and 2 are silent. The longest unbroken stretch of time is bars 1-8.
60 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
58 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 20 out of 100; the rest of the number is everything around it.
133 bars, about 8:53 at the written tempo. The course breaks it into 28 exercises over 9 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 25 times: bars 20, 28, 36, 37, 38, 39 and 19 more.