156 bars of 4/4 at 111 BPM, about 5:37 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 33-35, 45 and 69-75, and 5 more places -- 17% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 16 times: bars 16, 22, 32, 36, 52, 68 and 10 more.
5 more fills are written out on the fills page.
156 bars across 9 sections: 114 keep time, 16 are fills and 15 are silent. The longest unbroken stretch of time is bars 141-155.
111 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
156 bars, about 5:37 at the written tempo. The course breaks it into 38 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 16 times: bars 16, 22, 32, 36, 52, 68 and 10 more.