92 bars of 4/4 at 130 BPM, about 2:50 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 19-23, 27-31 and 43-47, and 3 more places -- 33% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 21 times: bars 6, 7, 8, 9, 10, 14 and 15 more.
3 more fills are written out on the fills page.
92 bars across 8 sections: 63 keep time, 21 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 76-87.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
92 bars, about 2:50 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 21 times: bars 6, 7, 8, 9, 10, 14 and 15 more.