171 bars of 4/4 at 135 BPM, about 5:02 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-16, 25-27 and 29-31, and 8 more places -- 21.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 22 times: bars 28, 32, 42, 50, 58, 62 and 16 more.
9 more fills are written out on the fills page.
171 bars across 21 sections: 81 keep time, 22 are fills, 34 are stops and 16 are silent. The longest unbroken stretch of time is bars 18-24.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
171 bars, about 5:02 at the written tempo. The course breaks it into 64 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 22 times: bars 28, 32, 42, 50, 58, 62 and 16 more.