143 bars of 4/4 at 138 BPM, about 4:07 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 28-30, 32 and 52, and 15 more places -- 21.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 26 times: bars 10, 18, 23, 24, 25, 26 and 20 more.
8 more fills are written out on the fills page.
143 bars across 11 sections: 83 keep time, 26 are fills, 17 are stops and 6 are silent. The longest unbroken stretch of time is bars 33-41.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
143 bars, about 4:07 at the written tempo. The course breaks it into 36 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 26 times: bars 10, 18, 23, 24, 25, 26 and 20 more.