126 bars of 4/4 at 140 BPM, about 3:34 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-13, 15-16 and 36-42, and 4 more places -- 22% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 29 times: bars 5, 9, 14, 17, 23, 28 and 23 more.
13 more fills are written out on the fills page.
126 bars across 15 sections: 71 keep time, 29 are fills, 9 are stops and 3 are silent. The longest unbroken stretch of time is bars 118-125.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
126 bars, about 3:34 at the written tempo. The course breaks it into 54 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 29 times: bars 5, 9, 14, 17, 23, 28 and 23 more.