608 bars of 4/4 at 120 BPM, about 19:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 45-47, 67-68 and 189-191, and 3 more places -- 3.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
78 fills to learn, played 150 times: bars 7, 11, 12, 20, 26, 33 and 144 more.
75 more fills are written out on the fills page.
608 bars across 59 sections: 270 keep time, 151 are fills, 108 are stops and 12 are silent. The longest unbroken stretch of time is bars 320-333.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
81 out of 100. Hard, and what makes it hard is how much of it falls off the beat. The beat itself is 55 out of 100; the rest of the number is everything around it.
608 bars, about 19:33 at the written tempo. The course breaks it into 248 exercises over 73 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
78 fills to learn, played 150 times: bars 7, 11, 12, 20, 26, 33 and 144 more.