148 bars of 4/4 at 140 BPM, about 4:14 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 40 and 93-99 -- 5.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 70 times: bars 3, 7, 8, 9, 11, 12 and 64 more.
16 more fills are written out on the fills page.
148 bars across 12 sections: 49 keep time, 71 are fills, 12 are stops and 2 are silent. The longest unbroken stretch of time is bars 80-86.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
96 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 81 out of 100; the rest of the number is everything around it.
148 bars, about 4:14 at the written tempo. The course breaks it into 58 exercises over 20 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 70 times: bars 3, 7, 8, 9, 11, 12 and 64 more.