265 bars of 4/4 at 140 BPM, about 7:00 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 192-194, 196 and 198, and 5 more places -- 4.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
29 fills to learn, played 174 times: bars 1, 2, 3, 4, 5, 6 and 168 more.
25 more fills are written out on the fills page.
265 bars across 13 sections: 59 keep time, 174 are fills, 19 are stops and 1 is silent. The longest unbroken stretch of time is bars 80-85.
140 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
86 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 44 out of 100; the rest of the number is everything around it.
265 bars, about 7:00 at the written tempo. The course breaks it into 75 exercises over 30 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
29 fills to learn, played 174 times: bars 1, 2, 3, 4, 5, 6 and 168 more.