151 bars at 188 BPM -- fast, and 3:13 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 41-43, 45-46 and 49-54, and 7 more places -- 24.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 36 times: bars 16, 23, 24, 32, 37, 44 and 30 more.
13 more fills are written out on the fills page.
151 bars across 23 sections: 75 keep time, 36 are fills, 10 are stops and 18 are silent. The longest unbroken stretch of time is bars 110-120.
188 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
151 bars, about 3:13 at the written tempo. The course breaks it into 60 exercises over 16 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 36 times: bars 16, 23, 24, 32, 37, 44 and 30 more.