117 bars of 4/4 at 122 BPM, about 3:50 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 45, 47 and 49-51, and 8 more places -- 20.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 33 times: bars 26, 27, 28, 42, 43, 44 and 27 more.
5 more fills are written out on the fills page.
117 bars across 16 sections: 53 keep time, 33 are fills, 2 are stops and 8 are silent. The longest unbroken stretch of time is bars 9-17.
122 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
117 bars, about 3:50 at the written tempo. The course breaks it into 39 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 33 times: bars 26, 27, 28, 42, 43, 44 and 27 more.