135 bars of 4/4 at 130 BPM, about 4:08 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 102, 104 and 106-107, and 5 more places -- 16.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 27 times: bars 24, 28, 32, 36, 40, 44 and 21 more.
7 more fills are written out on the fills page.
135 bars across 12 sections: 73 keep time, 27 are fills, 18 are stops and 8 are silent. The longest unbroken stretch of time is bars 9-17.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
135 bars, about 4:08 at the written tempo. The course breaks it into 42 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 27 times: bars 24, 28, 32, 36, 40, 44 and 21 more.