134 bars of 4/4 at a walking 95 BPM, 5:11 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 14, 16 and 18, and 11 more places -- 15% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 20 times: bars 34, 35, 53, 54, 55, 56 and 14 more.
5 more fills are written out on the fills page.
134 bars across 12 sections: 71 keep time, 20 are fills, 15 are stops and 14 are silent. The longest unbroken stretch of time is bars 82-91.
95 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
134 bars, about 5:11 at the written tempo. The course breaks it into 45 exercises over 16 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 20 times: bars 34, 35, 53, 54, 55, 56 and 14 more.