101 bars of 4/4 at a walking 104 BPM, 3:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 9-11, 13-15 and 37-39, and 5 more places -- 25.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 22 times: bars 17, 30, 31, 32, 33, 35 and 16 more.
6 more fills are written out on the fills page.
101 bars across 10 sections: 52 keep time, 22 are fills, 7 are stops and 8 are silent. The longest unbroken stretch of time is bars 9-16.
104 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
101 bars, about 3:53 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 22 times: bars 17, 30, 31, 32, 33, 35 and 16 more.