112 bars of 4/4 at a walking 94 BPM, 4:47 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 26-32, 51-58 and 99-105 -- 20.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 22 times: bars 9, 13, 17, 21, 25, 33 and 16 more.
10 more fills are written out on the fills page.
112 bars across 16 sections: 73 keep time, 22 are fills, 4 are stops and 4 are silent. The longest unbroken stretch of time is bars 64-77.
94 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
112 bars, about 4:47 at the written tempo. The course breaks it into 45 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 22 times: bars 9, 13, 17, 21, 25, 33 and 16 more.