66 bars of 4/4 at a walking 78 BPM, 3:23 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 26-27, 46 and 53-54, and 1 more place -- 10.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 13 times: bars 29, 30, 31, 40, 48, 52 and 7 more.
2 more fills are written out on the fills page.
66 bars across 9 sections: 32 keep time, 13 are fills, 2 are stops and 8 are silent. The longest unbroken stretch of time is bars 21-26.
78 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
66 bars, about 3:23 at the written tempo. The course breaks it into 30 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 13 times: bars 29, 30, 31, 40, 48, 52 and 7 more.