107 bars of 4/4 at a walking 80 BPM, 5:21 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 58, 62-63 and 68, and 12 more places -- 15.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 18 times: bars 5, 9, 11, 12, 13, 30 and 12 more.
8 more fills are written out on the fills page.
107 bars across 11 sections: 72 keep time, 18 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 46-59.
80 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
107 bars, about 5:21 at the written tempo. The course breaks it into 50 exercises over 18 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 18 times: bars 5, 9, 11, 12, 13, 30 and 12 more.