73 bars of 4/4 at a walking 87 BPM, 3:21 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17, 19 and 21-22, and 9 more places -- 22.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 14 times: bars 18, 30, 40, 45, 46, 50 and 8 more.
2 more fills are written out on the fills page.
73 bars across 7 sections: 48 keep time, 14 are fills and 2 are silent. The longest unbroken stretch of time is bars 3-17.
87 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
73 bars, about 3:21 at the written tempo. The course breaks it into 23 exercises over 7 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 14 times: bars 18, 30, 40, 45, 46, 50 and 8 more.