61 bars, 3:52, at 63 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 9-15, 24-26 and 28-30, and 2 more places -- 26.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 11 times: bars 4, 16, 19, 35, 37, 40 and 5 more.
5 more fills are written out on the fills page.
61 bars across 8 sections: 39 keep time, 11 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 25-34.
63 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
61 bars, about 3:52 at the written tempo. The course breaks it into 29 exercises over 9 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 11 times: bars 4, 16, 19, 35, 37, 40 and 5 more.