107 bars of 4/4 at a walking 80 BPM, 5:20 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 35-37, 39-41 and 65, and 6 more places -- 17% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 18 times: bars 22, 26, 38, 42, 58, 64 and 12 more.
6 more fills are written out on the fills page.
107 bars across 16 sections: 66 keep time, 18 are fills, 2 are stops and 7 are silent. The longest unbroken stretch of time is bars 3-13.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
107 bars, about 5:20 at the written tempo. The course breaks it into 45 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 18 times: bars 22, 26, 38, 42, 58, 64 and 12 more.