177 bars of 4/4 at 130 BPM, about 4:59 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 141-143, 145-151 and 153-159, and 3 more places -- 18.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 47 times: bars 1, 2, 3, 7, 8, 9 and 41 more.
15 more fills are written out on the fills page.
177 bars across 7 sections: 79 keep time, 47 are fills, 36 are stops and 8 are silent. The longest unbroken stretch of time is bars 145-159.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 16 out of 100; the rest of the number is everything around it.
177 bars, about 4:59 at the written tempo. The course breaks it into 43 exercises over 14 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 47 times: bars 1, 2, 3, 7, 8, 9 and 41 more.