101 bars of 4/4 at 117 BPM, about 3:27 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 3-5, 7-9 and 11-13, and 2 more places -- 15.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 34 times: bars 4, 6, 10, 14, 16, 18 and 28 more.
9 more fills are written out on the fills page.
101 bars across 10 sections: 49 keep time, 34 are fills, 8 are stops and 5 are silent. The longest unbroken stretch of time is bars 20-25.
117 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
101 bars, about 3:27 at the written tempo. The course breaks it into 31 exercises over 8 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 34 times: bars 4, 6, 10, 14, 16, 18 and 28 more.