200 bars at 205 BPM -- fast, and 3:54 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 43-45, 47-49 and 51-53, and 3 more places -- 10.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 18 times: bars 20, 26, 42, 46, 50, 70 and 12 more.
6 more fills are written out on the fills page.
200 bars across 24 sections: 83 keep time, 18 are fills, 60 are stops and 25 are silent. The longest unbroken stretch of time is bars 80-94.
205 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
200 bars, about 3:54 at the written tempo. The course breaks it into 55 exercises over 15 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 18 times: bars 20, 26, 42, 46, 50, 70 and 12 more.