77 bars of 4/4 at a walking 91 BPM, 3:15 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 12-14, 26-28 and 30, and 4 more places -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 11 times: bars 15, 53, 54, 55, 59, 61 and 5 more.
2 more fills are written out on the fills page.
77 bars across 11 sections: 53 keep time, 11 are fills and 2 are silent. The longest unbroken stretch of time is bars 26-36.
91 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
77 bars, about 3:15 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 11 times: bars 15, 53, 54, 55, 59, 61 and 5 more.