197 bars of 4/4 at 130 BPM, about 5:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 78, 80 and 88, and 7 more places -- 5.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 15 times: bars 14, 15, 16, 24, 32, 36 and 9 more.
4 more fills are written out on the fills page.
197 bars across 19 sections: 119 keep time, 15 are fills, 37 are stops and 5 are silent. The longest unbroken stretch of time is bars 54-71.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 70 out of 100; the rest of the number is everything around it.
197 bars, about 5:49 at the written tempo. The course breaks it into 75 exercises over 22 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 15 times: bars 14, 15, 16, 24, 32, 36 and 9 more.