164 bars of 4/4 at a walking 84 BPM, 7:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 18-23, 34-40 and 145-146, and 1 more place -- 13% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 32 times: bars 2, 4, 8, 10, 12, 14 and 26 more.
12 more fills are written out on the fills page.
164 bars across 18 sections: 104 keep time, 32 are fills, 3 are stops and 3 are silent. The longest unbroken stretch of time is bars 144-154.
84 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 69 out of 100; the rest of the number is everything around it.
164 bars, about 7:49 at the written tempo. The course breaks it into 62 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 32 times: bars 2, 4, 8, 10, 12, 14 and 26 more.