81 bars of 4/4 at a walking 95 BPM, 3:22 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3-5, 7-9 and 22-24, and 3 more places -- 22.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 12 times: bars 6, 14, 18, 25, 29, 30 and 6 more.
3 more fills are written out on the fills page.
81 bars across 13 sections: 50 keep time, 12 are fills, 3 are stops and 2 are silent. The longest unbroken stretch of time is bars 59-65.
95 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
81 bars, about 3:22 at the written tempo. The course breaks it into 35 exercises over 14 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 6, 14, 18, 25, 29, 30 and 6 more.