140 bars of 4/4 at 154 BPM, about 3:38 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 31-36, 39-44 and 55-60, and 5 more places -- 28.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 9 times: bars 37, 61, 69, 94, 95, 96 and 3 more.
1 more fill is written out on the fills page.
140 bars across 14 sections: 98 keep time, 9 are fills, 11 are stops and 9 are silent. The longest unbroken stretch of time is bars 15-29.
154 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
140 bars, about 3:38 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 37, 61, 69, 94, 95, 96 and 3 more.