196 bars of 4/4 at 126 BPM, about 5:53 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 35-41, 43-50 and 53-54, and 5 more places -- 23.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 22 times: bars 42, 58, 62, 66, 82, 86 and 16 more.
7 more fills are written out on the fills page.
196 bars across 18 sections: 119 keep time, 22 are fills, 7 are stops and 27 are silent. The longest unbroken stretch of time is bars 17-32.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
196 bars, about 5:53 at the written tempo. The course breaks it into 57 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 22 times: bars 42, 58, 62, 66, 82, 86 and 16 more.