148 bars of 4/4 at 125 BPM, about 4:39 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 25-32, 41-47 and 69-76, and 1 more place -- 20.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 36 times: bars 17, 18, 19, 22, 23, 24 and 30 more.
6 more fills are written out on the fills page.
151 bars across 15 sections: 81 keep time, 36 are fills, 7 are stops and 6 are silent. The longest unbroken stretch of time is bars 113-119.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
148 bars, about 4:39 at the written tempo. The course breaks it into 40 exercises over 14 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 36 times: bars 17, 18, 19, 22, 23, 24 and 30 more.