156 bars of 4/4 at a walking 95 BPM, 6:33 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9, 11-12 and 17-25, and 2 more places -- 10.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22 fills to learn, played 65 times: bars 10, 15, 16, 26, 28, 29 and 59 more.
18 more fills are written out on the fills page.
156 bars across 20 sections: 47 keep time, 65 are fills, 3 are stops and 23 are silent. The longest unbroken stretch of time is bars 76-87.
95 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
156 bars, about 6:33 at the written tempo. The course breaks it into 69 exercises over 21 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 65 times: bars 10, 15, 16, 26, 28, 29 and 59 more.