156 bars of 4/4 at 132 BPM, about 4:43 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 118-124, 126-132 and 134-137 -- 12.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 45 times: bars 24, 25, 28, 29, 30, 31 and 39 more.
10 more fills are written out on the fills page.
156 bars across 19 sections: 78 keep time, 45 are fills, 1 is a stop and 16 are silent. The longest unbroken stretch of time is bars 45-52.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
156 bars, about 4:43 at the written tempo. The course breaks it into 59 exercises over 18 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 45 times: bars 24, 25, 28, 29, 30, 31 and 39 more.