183 bars of 4/4 at 135 BPM, about 5:25 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 42, 44 and 46, and 21 more places -- 16.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 24 times: bars 33, 36, 52, 72, 83, 86 and 18 more.
5 more fills are written out on the fills page.
183 bars across 19 sections: 116 keep time, 24 are fills, 3 are stops and 14 are silent. The longest unbroken stretch of time is bars 7-24.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
183 bars, about 5:25 at the written tempo. The course breaks it into 66 exercises over 20 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 24 times: bars 33, 36, 52, 72, 83, 86 and 18 more.