234 bars of 3/4 -- not four -- at 123 BPM, 5:43 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 168-234 -- 29.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
18 fills to learn, played 43 times: bars 1, 7, 9, 18, 19, 20 and 37 more.
14 more fills are written out on the fills page.
234 bars across 17 sections: 130 keep time, 43 are fills, 40 are stops and 9 are silent. The longest unbroken stretch of time is bars 168-234.
123 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 18 out of 100; the rest of the number is everything around it.
234 bars, about 5:43 at the written tempo. The course breaks it into 67 exercises over 17 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 43 times: bars 1, 7, 9, 18, 19, 20 and 37 more.