97 bars of 4/4 at a walking 95 BPM, 3:46 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 13-14, 17-18 and 29-30, and 3 more places -- 12.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 41 times: bars 4, 6, 8, 9, 10, 12 and 35 more.
16 more fills are written out on the fills page.
97 bars across 9 sections: 40 keep time, 41 are fills, 5 are stops and 3 are silent. The longest unbroken stretch of time is bars 45-53.
95 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
83 out of 100. Hard, and what makes it hard is how much of it falls off the beat. The beat itself is 69 out of 100; the rest of the number is everything around it.
97 bars, about 3:46 at the written tempo. The course breaks it into 44 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 41 times: bars 4, 6, 8, 9, 10, 12 and 35 more.