149 bars at 170 BPM -- fast, and 3:30 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 21-23, 25-27 and 45-51, and 4 more places -- 21.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 19 times: bars 24, 28, 36, 44, 52, 62 and 13 more.
3 more fills are written out on the fills page.
149 bars across 9 sections: 81 keep time, 19 are fills and 39 are stops. The longest unbroken stretch of time is bars 1-12.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
149 bars, about 3:30 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 19 times: bars 24, 28, 36, 44, 52, 62 and 13 more.